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"Mark D. Overholser" wrote:
> I have Never Done Studio Work, but the restrictions of "no overdubs,
> pickups or edits"
Never mind all that. What about all the union rates for players ? If you ever
wonder why so many film scores of the last 20 years (the minority that are still
orchestral, I mean) show up in the credits as being performed by the Budapest
Philharmonic, etc. -- THAT'S the reason.
> makes it just like a Live Performance, everything
> needs to go correct the "first time".
This is not all that revolutionary. I believe that most of the "audiophile"
recordings that were supervised by Doug Sax were made this way.
Jordan
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