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Jerry Garren wrote:  
>   
> Does anyone have links to more information on this subject.  
 
To continue this discussion, I ran across these CD Archiving  
pages at Kodak while researching a different project:  
 
  http://www.kodak.com/global/en/professional/hub/museums/museumArchive/museumArchive.jhtml  
  http://www.kodak.com/global/en/professional/products/storage/pcd/techInfo/permanence.jhtml  
 
Although Kodak claims that its CDs will last for 200 years  
and quotes a commission as saying that magnetic tape will  
last for several decades, my personal opinion is that's  
grossly misleading and Kodak's marketing department probably  
wrote such drivel.  
 
First, the various other research I've read says 20 years,  
not 200, under ideal storage conditions for CDs.  Second, a  
recent newspaper article noted that some CDs were lasting  
less than 10 years even though stored properly.  
 
The quote on the Kodak site about magnetic storage lifetime  
being what I'll take as 50 years or sois also highly  
suspicious.  There are one heck of a lot of "master studio  
tapes" that didn't last 10 years, and a few failed in less  
than a year.  (3M, perhaps the largest manufacturer of  
studio tape, had a recovery procedure which required baking  
some of these failed tapes in an oven.  The chemical binders  
decomposed and became fluid; by removing the fluids the  
tapes were sometimes playable once again.)  
 
If you truly want to save your CDs and DVDs for your  
grandkids, making an occasional safety copy is a good idea.  
Kodak _does_ say "it is prudent to create redundant copies  
of stored digital data" and "having two copies in different  
forms and in different physical locations increases the  
chances that the information will survive", and on one of  
the web pages above Kodak discusses "the principle of master  
copies and derivatives".  
 
The nice thing about digital copies is that if you have two  
copies and both have errors, you can digitally compare the  
two and (probably) figure out what bits to switch to fix  
those errors.  And if you have three copies then doing this  
compare and correction is fairly easy (choose the two bits  
which are the same as being the correct ones).  For spanning  
errors where one bit becomes two or two bits become one, you  
can still do sectional pattern matching and most likely come  
up with the proper corrections.  (There are lots of other  
techniques.  Remember the floppy backup program Fastback?  
It used the ninth sector on each track as an XOR of the  
others so it could correct errors without you knowing about  
them.)  
 
- Peter  
 
 
 
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